Minnetonka Surcode Dolby Digital Encoder ^NEW^
Minnetonka Surcode Dolby Digital Encoder ^NEW^
Minnetonka Surcode Dolby Digital Encoder
SurCode for Dolby Digital Producer is an affordable audiophile-quality Dolby Digital Plus monitoring tool that produces Dolby Digital Plus content, for example, DTS-HD for 3D and/or Dolby Headphone encoding and decoding. Before auditioning SurCode, you should test SurCode on your own software and hardware setup to ensure it will operate correctly. It is not recommended to use SurCode on existing Pro Tools sessions or production work due to the SurCode plug-ins need to be configured before use.
Dolby Atmos sounds amazing. It’s a high-quality audio experience, like nothing we’ve ever heard before. If you’ve tried Dolby Atmos in the cinema but haven’t made the switch yet, it’s time to get started!
The Y plug-in is yet another upgraded version of the same Dolby Surround plug-in. It has a ‘phoneme’ feature, with which you can process individual components, separately. The basic Dolby Surround encoder plug-in only works at the same volume level for all four channels. The ‘phoneme’ plug-in allows you to, say, make Lt louder than Rt, or increase the signal level of Rt so that it will not be clipped, or make Rt louder than Lt. You can also use it to re-balance the Surround channel signals to raise the level of Lt over Rt, etc. I personally prefer this plug-in for its flexibility.
It’s getting very late in the day, so I won’t go into more detail about the Dolby Pro Logic encoder, except to say that it requires no special card or chipset, and works equally well on any of the Windows platforms. It also incorporates a Pro Logic decoding function, with which you can extract the Dolby Pro Logic surround (Lt/Rt) signal from the audio stream. This is a useful feature in those rare instances when a Pro Logic-equipped receiver is connected to a digital audio card, with Dolby Pro Logic configured as the output.
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(MDAT file only)  This is a free software that allows you to encode Minnetonka audio files in Dolby Digital Surround using only its MDAT file – no edit whatsoever. This can be used for any mixing application, by mixing Surround files into the mix and then using Surround encoding. It allows you to encode your files in either Stereo or 5.1 Surround using the “Surround with SurCode†option.                                                                                                                                                                                                           Â
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