Various Artists – Eccentric Soul: A Red Black Green Production (2012) FLAC

Various Artists – Eccentric Soul: A Red Black Green Production (2012) FLAC


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Various Artists – Eccentric Soul: A Red Black Green Production (2012) FLAC

Like several others on this list, Milla Borghese was coming out of left field and his debut album was an unassuming one, until you realised it was made by the same man who had done Everything But The Girl a few years before. Hes a better songwriter than he is a vocalist, and I think it shows on In Vogue, the US deep house album that was released on his own Catch All label. There are also some excellent quirky soul gems on there, such as the excellent (if possibly overindulgent) The Sleep Song, and the even better Butterfly Rush.

Another master of the glove-based production was Laurel Halo, whose 2010 album Forget the Moon, Forget the Stars is the most magnetic of her three albums. Adopting a lens-soaked, panoramic approach to songwriting, Forget the Moon proved that Halo had a stunningly original touch. The UK poet and lyricist Helen Lovejoy often was a vocal presence on her records, and Lovejoys lyrics have a beautifully organic feel to them that linger in Halo records memories, bitter-sweet, bittersweet. Halos styles have never been more plaintive or her processing more emotionally-charged than here, and the record serves as a very tangible snapshot of her creative process. Forget the Moons stunning grace is also marred by some of Halo most sophisticated sound design, and its companion album Forget the Stars only raises the stakes.

The key to Samples was that it had no interest in any of the soul-searching or soul-stuff that occupied much of the 1990s. In fact, samples feel remarkably out of place on Samples and its only reason for existing is to create a pungent, bracing mix of chopped-up vocal snippets and smartly arranged samples. Well put together, the 10 tracks on Samples explore a number of sonic spaces, and dare to do so in a way that didnt feel as if its makers were mimicking what they heard. They carved out space and built it. When you hear the echoes of Samples on subsequent albums from African American artists like J Dilla and the Black Keys, it does have a direct link to that spark, because if you listen closely its almost identical to a cut on Samples. Whether or not that matters to you will depend on where your head is at when you listen.

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