Etta James Discography 1960 2012 MP3 320 202

Etta James’ Delta Lady is the title track of a 1966 album recorded in Motown’s Hitsville U.S.A. Studio. Her first album released by the label, it is the first of two albums James recorded for its parent company, Berry Gordy, Jr.’s Motown label. The follow-up to At Last, Delta Lady included versions of twelve different James originals. The album was critically acclaimed and was also the first release on which James was backed by her then-new trio of veteran session musicians: guitarists Billy Cobham and David Paich and bassist Henry Ferber. At the time, James was living in England, where she was signed to Decca Records, Motown’s English arm. It was a move Motown executives hoped would allow her to score more hits, and to revive her career. According to BBC journalist Simon Napier-Bell, “The results, however, were disastrous, and by the end of 1966, James had returned to the United States. She was 17 years old when she made her first recording in the company’s studios in Chicago, at a time when she was beginning to make a name for herself in the U.S. and Britain.”

Etta James, the 2017 single by Etta James and the Grammy Award-winning gospel group the Blind Boys of Alabama. James originally recorded the song in 1961 under the title “How Come You Don’t Love Me.” The Blind Boys of Alabama arrangement is a 1962 release, as is the original 1961 recording by James. This single was nominated for Best Engineered Album, Non-Classical at the 58th Grammy Awards.

MOMENTS TO CELEBRATE

In the early 1970s, a popular library of soul ballads and standards was released on the Atco label called I Can’t Go For That (It’s a Long Way From) Love. It was recorded by Etta James and went on to become one of James’ most successful singles. It reached #36 on the Billboard Hot 100 when it was released in 1973.

In the 1990s, “At Last” was a popular song for James, with all sorts of adaptations appearing over the years. Two of the most notable versions were The Four Tops’ version in 1959 and a more elaborate arrangement by a group called “The Three Degrees” in 1968. That arrangement reached #11 on the Billboard Hot 100 in 1968. The Four Tops’ version also reached #5 on the R&B chart, but James’ didn’t.

In the 2000s, “At Last” was covered by Marvin Gaye (who calls it “A Weary Tired Feelin'”) and a number of other artists. Selected for the 2018 registry.

Come Down Ma Evenin’ Star is the only surviving recording of Lillian Russell, one of the greatest stars the American musical stage has ever known, a versatile performer at home in operetta, burlesque and vaudeville whose personal life often generated as much publicity as her performances. Born in 1861, she was a star before movies and recordings, which in their early days could not do justice to her famous beauty, voice, style and stage presence. Come Down was her signature song. She introduced it in the 1902 burlesque review Twirly-Wirly, parodying the nouveau-riche society figure she had become, but investing it with a poignancy that reflected its troubled history. The song was written by her former music director John Stromberg, who committed suicide over the pain of chronic, untreatable rheumatism hours after finishing it. Russell recorded it in 1912, but it was not released. In 1943, rare record dealer Jack L. Caidin found a lone test pressing of it, inscribed by Russell herself, and released it on his own specialty label, providing us with a brief echo of the Lillian Russell phenomenon, and a fleeting glimpse into nineteenth century American theater. Selected for the 2011 registry.
Here, Etta performs “Respect” on the Johnson City Public Television broadcast “Etta James & The Platters Sing Sam Cooke”. The two songs, “Respect” and “Wonderful! Wonderful!” (aka “I Only Have Eyes for You”) were first performed by James’ longtime rhythm section: former Hayes and Beckwith members, Clyde “Smokey” Moreland and Eddie “Bongo” Brown, as well as the former Drifters’ bassist Charles “Chuck” Justice. These background singers are credited with contributing the vocal harmonies to the entire tune. The late, great Sammy Cahn wrote the lyrics for “Respect,” but it was Cooke who originally wrote the words to James’ other great 1955 R&B hit, “At Last.” “At Last” was the second of James’ signature songs. It became a #1 pop and R&B hit, and was included on James’ first major hit album, At Last (Capitol T-686). Selected for the 2013 registry.
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